this is from a few years ago...it was at the sutro bath cave...sometime around midnight i think. the line up was Acre, Al Qaeda, Brandon Nickell and Maleficia(us). footage by Kevin Hobs
Sunday, November 27, 2011
Sunday, November 20, 2011
Vorsg Gah
out now from the petit mal label::
http://petitmalmusic.bandcamp.com
check out the other releases as they are worth your time. limited to 50 physical copies.
Thursday, September 22, 2011
the return of damnation......
Terminal Agenda (Misanthropic Agenda + Terminal) present:
Saturday, October 1st
D.A.M.N. (Francisco Meirino & Scott Arford)
Francisco Meirino
Scott Arford
Gerritt Wittmer
Preyers (R. Jencks & R. Ludlow)
Darksmith
AC Way
at Terminal, 3957 San Leandro St. Oakland, CA 8:00PM $5
Saturday, October 1st
D.A.M.N. (Francisco Meirino & Scott Arford)
Francisco Meirino
Scott Arford
Gerritt Wittmer
Preyers (R. Jencks & R. Ludlow)
Darksmith
AC Way
at Terminal, 3957 San Leandro St. Oakland, CA 8:00PM $5
Tuesday, August 23, 2011
ABANDONED CHILDREN
"The occasionalist project French Radio is the semi-improvised work of Bruce Anderson, Jim Kaiser, and A.C. Way. Anderson, of course, is the stalwart art-punk guitarist from MX-80; Kaiser and Way are two of the more prolific participants in the damaged improv / noise scene in the Bay Area. As all three of these gentlemen of the avant-garde have their fingers in too many pies to count here, French Radio gigs have been few and far between; and Abandonded Children is only the second album from the trio. Fortunately, they are making up for lost time with two discs worth of gloop, din, murk, and turgid abstraction. The instrumentation for French Radio puts Anderson behind a large semi-circle of effects pedals that occasionally do allow for archetypal sounds to come from the guitar that connects them; Kaiser wields his now signature bicycle wheel with contact mic contraption and some reel-to-reel tape decks; and Way has a lo-tech set-up for turntable, cheap samplers, and microphones through which he utters monotone howls bathed in blackened reverb. The trio is at their best when they dive deep into a subterranean noise, nearing the depths of something oozing from Locrian or Blue Sabbath Black Cheer, as metallic clanks from Kaiser's wheel lumber against strangely soothing blasts of cold noise; but when Anderson's lonesome guitar strums through the din, French Radio is as compelling as anything that Barn Owl has mustered. Each of the three lengthy tracks were studio recordings, made without any overdubs. A limited cd-r release, mind you!"
Saturday, July 30, 2011
SUNDAYSLAUGHTER
7/31/11
No Funeral
Lycus
Folivore
acway
@your haus(aka hazmat) OAKLAND
7pm 8bux
Sunday, July 24, 2011
Tuesday, July 5, 2011
MOULD 2011
The V-Kaos/DROME split "Mould 2011" + the first issue of the Solvtio Perfecta Zine is now available for order.
Tape + zine = 6€ Just tape = 4€. (Postage will be added.)
Tape is limited to 100 copies and the zine to 20 copies.
Contact info@nightmareprod.com for orders.
Tape + zine = 6€ Just tape = 4€. (Postage will be added.)
Tape is limited to 100 copies and the zine to 20 copies.
Contact info@nightmareprod.com for orders.
Wednesday, June 22, 2011
FRENCH RADIO
Thursday, June 2, 2011
Wednesday, May 11, 2011
Wednesday, March 23, 2011
ODO
finaly.... i've released a solo record. yay. it's called "odo". three tracks. not exactly what people expect from me. you might hate it? anyways i'll post reviews as they happen. come to the shows or write me to get one...
from aquariusrecords.org:
"A.C. Way has been a fixture in the Bay Area noise community for close to a decade now, performing constantly and within a number of ensembles (Maleficia, French Radio, Riqis, Carrion, NF Orchest, etc.), but his recorded solo output has been woefully under-represented. He's one to start furiously on projects only to shelve them either out of frustration with the process or if another opportunity might come along. However, the strength of Odo is such that Way should delve back into that repository of mangled tapes and extract more material like this. His means of production often involves a beat-to-shit turntable, a similarly beat-to-shit sampler, vocal growlings, and a noise-freak collection of pedals, resulting in a black noise miasma orbiting around MB, Lasse Marhaug, and Locrian. Odo is a comparatively brighter affair of harmonically interwoven tones and field recordings, but Way's menacing noise lurks throughout. The first of three pieces layers a set of harmonium-sounding drones whose linear stasis is upended by an arching churn of growling, low-end feedback, snapping into the second track of watery field recordings and subterranean drippings sutured to a chorus of mid-range sinetones. The final track engages an uneasy set of feedback tones made even more unsettled by a distant blackened cloud of rumbling distortion slowly joined by a metallic clamor and spectral blasts of wintery black noise. Think the more psychedelic noise of Ramleh, the transitional recordings by Emaciator from noise-to-drone, and most everything that comes out on Utech. Just 20 minutes long, but the price is certainly right! "
Monday, March 21, 2011
Sunday, February 13, 2011
?
so i'm not sure where this one's from... it is from the last year.. probably 21 grand.... i fucked up and didn't catalogue this one. sue me. sounds ok though....
Monday, February 7, 2011
Sunday, February 6, 2011
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